b.c. 1460, Oudewater, Neth. d.Aug. 13, 1523, Bruges Flemish Gerard David Locations Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.  Related Paintings of Gerard David :. | The Judgment of Cambyses2 | The Virgin Embracing the Dead Christ | The Marriage at Cana | Virgin and Child with the Milk Soup | The Marriage at Cana |
Related Artists:
Antonio Maria Esquivel
Nacio en Sevilla en 1806. Comenzo los estudios de pintura en la Academia de Bellas Artes de Sevilla. Alli se familiarizo con la tecnica pictorica y el detallismo al estilo de Murillo. En 1831, se traslado a Madrid, donde concurso en la Academia de San Fernando, siendo nombrado academico de merito. En contacto con el ambiente intectual madrileno de esos anos, participo activamente en la fundacion del Liceo Artistico y Literario en 1837, donde daria clases de Anatomia, asignatura que impartiria tambien mas tarde en la Academia de San Fernando. En 1839, otra vez en Sevilla, sufrio una enfermedad que le dejo practicamente ciego; el artista, sumido en una profunda depresion, se intento suicidar arrojandose al rio Guadalquivir. Enterados sus companeros y amigos poetas y artistas y movilizados por el Liceo para ayudarle, sufragaron entre todos un caro tratamiento realizado por un prestigioso oftalmologo frances. Gracias a esto, en 1840 sano y recupero la vision. El artista, agradecido, pinto a sus amigos, poetas y pintores del Romanticismo, en un cuadro que se ha hecho justamente celebre. Como reconocimientos oficiales, recibo la placa del Sitio de Cadiz y la Cruz de Comendador de la Orden de Isabel la Catolica. En 1843 es nombrado Pintor de Camara y en 1847 academico de San Fernando, siendo ademas miembro fundador de la Sociedad Protectora de Bellas Artes. Como teorico de la pintura, redacto un Tratado de Anatomia Pictorica, cuyo original se guarda en el Museo del Prado. Fallecio en Madrid en 1857. Sus hijos Carlos Maria (1830-1867) y Vicente tambien fueron pintores.
Aelbrecht Bouts
( 1450s, Leuven - March 1549, Leuven) was a Netherlandish painter. His first name is sometimes spelled eAlberte, eAelberte or eAlbrechte. He was born into a family of painters. Aelbrechtes father was Dieric Bouts the Elder (ca.1415-1475), and his brother was Dieric Bouts the Younger (ca.1448-1490). Jan Bouts (ca.1478-ca. 1530), son of Dieric Bouts the Younger, also became a painter. Dieric Bouts the Younger inherited his fatheres shop in 1475, while Aelbrecht established his own workshop, also in Leuven. Whereas Dieric the Younger continued in his father's style, Aelbrecht developed his own unmistakable style with strong colors, rich texture and fine details. Bob Jones University Museum and Gallery (Greenville, South Carolina), the Cleveland Museum of Art, the Fitzwilliam Museum (Cambridge), Harvard University Art Museums, The Honolulu Academy of Arts, the Hood Museum of Art (Hanover, New Hampshire), the Norton Simon Museum (Pasadena, California), the Royal Museums of Fine Arts of Belgium, the Czartoryski Museum and the Staatsgalerie Stuttgart are among the public collections having paintings by Aelbrecht Bouts.
Christian August Lorentzen
(10 August 1749 - 8 May 1828) was a Danish painter. He was the instructor of Martinus Rørbye. Christian August Lorentzen was born on 10 August 1749 as the son of a watchmaker. He arrived in Copenhagen around 1771 where he frequented the Royal Academy of Fine Arts but it is unclear whether he received formal training.From 1779 to 1782 he want abroad to develop his skills, visiting the Netherlands, Antwerp and Paris where he copied old masters. In 1792 he traveled to Norway to paint prospects. In a number of painting, such as Slaget på Reden (1801, Danish Museum of National History and Den rædsomste nat (1807, Danish National Gallery, he documented key events from the English Wars between 1801 and 1814. Later in his career he mainly painted portraits, landscapes and scenes from Ludvig Holberg's comedies. As a professor at the Royal Academy in Copenhagen from 1803 and until his death in 1828, he exercisized great influence on the next generation of painters such as Martinus Rørbye among others.